Prezentare Demers Artistic
”The essential proof of intelligence made by the artist at the moment, at the time of the glass sculpture is to avoid the exteriority and to handle the material in such a way to make discover its multidimensional forms.
The sculpture of Alexandru Ghildus is similar to the sculpture of Brancusi, non-discursive and non-gravitational. His sculpture is completely atypical.
It is the sculpture, not only because the works are created by the artist himself, but also because, by report to the decorative object, be it small or large dimensions, which attract the attention by itself, the object of Ghildus puts the space into resonance by giving it a specific form.
This three-dimensional structure acts in a unpredictable way and fills the space, but compared with the classic sculpture, do not reflect the light towards the outside, it absorbs and transforms the light.
During centuries, the classic sculpture accredited three dimensions: the height, the length and the width. The sculpture of Ghildus challenge the laws of physics, by adding a new dimension: the depth, a depth which has nothing to do with the outside. It is a dimension from the inside of the substance. The artist knows perfectly the material, its behavior and spirit and the accent put on this mystic dimension of the forms represents a voluntary act, completely and deeply assumed.”
Pavel Susara, critic and art historian
Dictionary of visual art – The Greatness of the decorative arts
website link: www.alexandrughildus.ro,