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UAP | 10/04/2025

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๐‘ช๐’๐’“๐’‘ ๐‘ช๐’๐’Ž๐’–๐’. ๐‘ฝ๐’๐’. 2 @ ๐‘ด๐’–๐’›๐’†๐’–๐’ ๐’…๐’† ๐‘จ๐’“๐’•๐’‚ฬ† ๐‘ป๐’–๐’๐’„๐’†๐’‚

๐‘ช๐’๐’“๐’‘ ๐‘ช๐’๐’Ž๐’–๐’. ๐‘ฝ๐’๐’. 2 @ ๐‘ด๐’–๐’›๐’†๐’–๐’ ๐’…๐’† ๐‘จ๐’“๐’•๐’‚ฬ† ๐‘ป๐’–๐’๐’„๐’†๐’‚
Nistor Laurenศ›iu

โ€ž๐‘ช๐’๐’“๐’‘ ๐‘ช๐’๐’Ž๐’–๐’. ๐‘ฝ๐’๐’. 2โ€ โ€“ ๐’ ๐’๐’๐’–๐’‚ฬ† ๐’†๐’™๐’‘๐’๐’›๐’Š๐’•ฬฆ๐’Š๐’† ๐‘ด๐’‚๐’ˆ๐’…๐’‚๐’๐’†๐’๐’‚ ๐’”ฬฆ๐’Š ๐‘ฉ๐’๐’ˆ๐’…๐’‚๐’ ๐‘ท๐’†๐’๐’Ž๐’–๐’”ฬฆ, ๐’๐’‚ ๐‘ด๐’–๐’›๐’†๐’–๐’ ๐’…๐’† ๐‘จ๐’“๐’•๐’‚ฬ† ๐‘ป๐’–๐’๐’„๐’†๐’‚

Dupฤƒ expoziศ›ia โ€žCorp Comunโ€, gฤƒzduitฤƒ รฎn primฤƒvara anului trecut de galeria Arsmonitor din Bucureศ™ti, artiศ™tii Magdalena ศ™i Bogdan Pelmuศ™ propun o continuare a aceluiaศ™i demers artistic รฎn oraศ™ul Tulcea, sub forma expoziศ›iei โ€ž๐‘ช๐’๐’“๐’‘ ๐‘ช๐’๐’Ž๐’–๐’. ๐‘ฝ๐’๐’. 2โ€, ๐’„๐’‚๐’“๐’† ๐’—๐’‚ ๐’‚๐’—๐’†๐’‚ ๐’—๐’†๐’“๐’๐’Š๐’”๐’‚๐’‹๐’–๐’ ๐’‘๐’† 15 ๐’‚๐’‘๐’“๐’Š๐’๐’Š๐’†, ๐’Šฬ‚๐’๐’„๐’†๐’‘๐’‚ฬ‚๐’๐’… ๐’„๐’– ๐’๐’“๐’‚ 16:00, ๐’๐’‚ ๐‘ด๐’–๐’›๐’†๐’–๐’ ๐’…๐’† ๐‘จ๐’“๐’•๐’‚ฬ† ๐‘ป๐’–๐’๐’„๐’†๐’‚, ๐’…๐’Š๐’ ๐’”๐’•๐’“๐’‚๐’…๐’‚ ๐‘ฎ๐’“๐’Š๐’ˆ๐’๐’“๐’† ๐‘จ๐’๐’•๐’Š๐’‘๐’‚ ๐’๐’“. 2. ๐‘ฌ๐’™๐’‘๐’๐’›๐’Š๐’•ฬฆ๐’Š๐’‚ ๐’—๐’‚ ๐’‡๐’Š ๐’‚๐’„๐’„๐’†๐’”๐’Š๐’ƒ๐’Š๐’๐’‚ฬ† ๐’‘๐’–๐’ƒ๐’๐’Š๐’„๐’–๐’๐’–๐’Š ๐’‘๐’‚ฬ‚๐’๐’‚ฬ† ๐’‘๐’† 5 ๐’Š๐’–๐’๐’Š๐’† 2025.

Expoziศ›ia reuneศ™te o nouฤƒ selecศ›ie de lucrฤƒri recente, realizate รฎn ultimii ani, ศ™i รฎศ™i propune sฤƒ extindฤƒ reflecศ›iile vizuale ศ™i conceptuale din prima parte a proiectului, pฤƒstrรขnd unitatea tematicฤƒ ศ™i complementaritatea dintre cei doi artiศ™ti.

๐‘ช๐’๐’๐’”๐’Š๐’…๐’†๐’“๐’‚๐’•ฬฆ๐’Š ๐’–๐’๐’–๐’ ๐’…๐’Š๐’๐’•๐’“๐’† ๐’„๐’†๐’๐’† ๐’Ž๐’‚๐’Š ๐’Š๐’Ž๐’‘๐’๐’“๐’•๐’‚๐’๐’•๐’† ๐’…๐’–๐’-๐’–๐’“๐’Š ๐’…๐’† ๐’‚๐’“๐’•๐’Š๐’”ฬฆ๐’•๐’Š ๐’‚๐’„๐’•๐’Š๐’—๐’Š ๐’Šฬ‚๐’ ๐‘น๐’๐’Ž๐’‚ฬ‚๐’๐’Š๐’‚, ๐‘ด๐’‚๐’ˆ๐’…๐’‚๐’๐’†๐’๐’‚ ๐’”ฬฆ๐’Š ๐‘ฉ๐’๐’ˆ๐’…๐’‚๐’ ๐‘ท๐’†๐’๐’Ž๐’–๐’”ฬฆ ๐’”๐’† ๐’“๐’†๐’Ž๐’‚๐’“๐’„๐’‚ฬ† ๐’‘๐’“๐’Š๐’๐’•๐’“-๐’ ๐’„๐’๐’๐’‚๐’ƒ๐’๐’“๐’‚๐’“๐’† ๐’‚๐’“๐’•๐’Š๐’”๐’•๐’Š๐’„๐’‚ฬ† ๐’…๐’† ๐’‘๐’†๐’”๐’•๐’† ๐’…๐’๐’–๐’‚ฬ† ๐’…๐’†๐’„๐’†๐’๐’Š๐’Š, ๐’Šฬ‚๐’ ๐’„๐’‚๐’“๐’† ๐’‚๐’– ๐’†๐’™๐’‘๐’๐’๐’“๐’‚๐’• ๐’•๐’†๐’Ž๐’† ๐’“๐’†๐’„๐’–๐’“๐’†๐’๐’•๐’† ๐’‘๐’“๐’†๐’„๐’–๐’Ž ๐’„๐’๐’“๐’‘๐’๐’“๐’‚๐’๐’Š๐’•๐’‚๐’•๐’†๐’‚, ๐’Š๐’…๐’†๐’๐’•๐’Š๐’•๐’‚๐’•๐’†๐’‚, ๐’Ž๐’†๐’Ž๐’๐’“๐’Š๐’‚ ๐’”ฬฆ๐’Š ๐’“๐’†๐’๐’‚๐’•ฬฆ๐’Š๐’‚ ๐’…๐’Š๐’๐’•๐’“๐’† ๐’‡๐’Š๐’›๐’Š๐’„ ๐’”ฬฆ๐’Š ๐’‘๐’”๐’Š๐’‰๐’Š๐’„. ๐‘ท๐’“๐’‚๐’„๐’•๐’Š๐’„๐’‚ ๐’๐’๐’“ ๐’„๐’๐’Ž๐’–๐’๐’‚ฬ†, ๐’…๐’‚๐’“ ๐’”ฬฆ๐’Š ๐’‘๐’“๐’๐’Š๐’†๐’„๐’•๐’†๐’๐’† ๐’Š๐’๐’…๐’Š๐’—๐’Š๐’…๐’–๐’‚๐’๐’†, ๐’‚๐’– ๐’„๐’๐’๐’•๐’“๐’Š๐’ƒ๐’–๐’Š๐’• ๐’”๐’†๐’Ž๐’๐’Š๐’‡๐’Š๐’„๐’‚๐’•๐’Š๐’— ๐’๐’‚ ๐’…๐’†๐’›๐’—๐’๐’๐’•๐’‚๐’“๐’†๐’‚ ๐’”๐’„๐’†๐’๐’†๐’Š ๐’…๐’† ๐’‚๐’“๐’•๐’‚ฬ† ๐’„๐’๐’๐’•๐’†๐’Ž๐’‘๐’๐’“๐’‚๐’๐’‚ฬ† ๐’“๐’๐’Ž๐’‚ฬ‚๐’๐’†๐’‚๐’”๐’„๐’‚ฬ† ๐’‘๐’๐’”๐’•-2000.

รŽncepรขnd cu 2001, cuplul s-a auto-organizat รฎn multiple forme de grupuri artistice ศ™i iniศ›iative de tip artist-run space, dintre care amintim: Sursa Group, Glocal History, Loading Open Lab ศ™i Hybrid Manifestation. Prin aceste proiecte colaborative, au construit un discurs artistic susศ›inut, fluid ศ™i experimental, adaptat unui context socio-cultural aflat รฎn continuฤƒ transformare.

๐‘ฌ๐’™๐’‘๐’๐’›๐’Š๐’•ฬฆ๐’Š๐’‚ โ€ž๐‘ช๐’๐’“๐’‘ ๐‘ช๐’๐’Ž๐’–๐’. ๐‘ฝ๐’๐’. 2โ€ ๐’–๐’“๐’Ž๐’‚ฬ†๐’“๐’†๐’”ฬฆ๐’•๐’† ๐’‚๐’•๐’“๐’‚๐’„๐’•ฬฆ๐’Š๐’‚ ๐’”ฬฆ๐’Š ๐’„๐’๐’Ž๐’‘๐’๐’†๐’Ž๐’†๐’๐’•๐’‚๐’“๐’Š๐’•๐’‚๐’•๐’†๐’‚ ๐’„๐’†๐’๐’๐’“ ๐’…๐’๐’Š ๐’‚๐’“๐’•๐’Š๐’”ฬฆ๐’•๐’Š, ๐’„๐’‚๐’“๐’† ๐’„๐’“๐’†๐’†๐’‚๐’›๐’‚ฬ† ๐’‚๐’•๐’‚ฬ‚๐’• ๐’Šฬ‚๐’Ž๐’‘๐’“๐’†๐’–๐’๐’‚ฬ†, ๐’„๐’‚ฬ‚๐’• ๐’”ฬฆ๐’Š ๐’”๐’†๐’‘๐’‚๐’“๐’‚๐’•.

Magdalena Pelmuศ™ exploreazฤƒ cu sensibilitate ศ™i ironie universul interior al corpului uman, abordรขnd teme precum anatomia, psihologia ศ™i sistemele circulatorii, printr-o combinaศ›ie eliberatoare de medii ศ™i tehnici: desen, picturฤƒ, artฤƒ textilฤƒ, bijuterie, obiecte gฤƒsite ศ™i referinศ›e pop. Prin aceste demersuri, artista contribuie la reafirmarea rolului femeii artist รฎn peisajul cultural romรขnesc al ultimelor douฤƒ decenii.

รŽn paralel, practica multidisciplinarฤƒ a lui Bogdan Pelmuศ™ traverseazฤƒ desenul, pictura, instalaศ›ia, performance-ul ศ™i video-ul, cu o abordare vizualฤƒ care pune รฎn tensiune simboluri, text ศ™i suprafeศ›e neconvenศ›ionale. Artistul รฎnlocuieศ™te materialele tradiศ›ionale cu plฤƒci degradate, spumฤƒ sau ready-made, construind o esteticฤƒ marginalฤƒ, รฎn care identitatea, globalizarea ศ™i consumul devin teme-cheie ale unui limbaj artistic singular.

โ€žCorp Comun. Vol. 2โ€ aduce รฎn prim-plan un dialog vizual intens รฎntre cei doi artiศ™ti, care se intersecteazฤƒ รฎn tematici comune precum: structura corpului uman, memoria spaศ›iului, distanศ›ele interioare ศ™i exterioare. Expoziศ›ia reprezintฤƒ o continuare fireascฤƒ a colaborฤƒrii lor artistice ศ™i o deschidere cฤƒtre noi contexte geografice ศ™i culturale de รฎntรขlnire cu publicul. Este, totodatฤƒ, o invitaศ›ie la explorarea unui teritoriu afectiv ศ™i vizual comun, care leagฤƒ cele douฤƒ expoziศ›ii โ€” Bucureศ™ti ศ™i Tulcea โ€” รฎntr-un traseu coerent al expunerii unei selecศ›ii de lucrฤƒri reprezentative pentru cei doi.

๐‘ฌ๐’™๐’‘๐’๐’›๐’Š๐’•ฬฆ๐’Š๐’‚ โ€ž๐‘ช๐’๐’“๐’‘ ๐‘ช๐’๐’Ž๐’–๐’. ๐‘ฝ๐’๐’.2โ€ ๐’†๐’”๐’•๐’† ๐’–๐’ ๐’‘๐’“๐’๐’Š๐’†๐’„๐’• ๐’”๐’–๐’”๐’•ฬฆ๐’Š๐’๐’–๐’• ๐’…๐’† ๐‘ท๐’“๐’Š๐’Ž๐’‚ฬ†๐’“๐’Š๐’‚ ๐‘ด๐’–๐’๐’Š๐’„๐’Š๐’‘๐’Š๐’–๐’๐’–๐’Š ๐‘ป๐’–๐’๐’„๐’†๐’‚ ๐’Šฬ‚๐’ ๐’‘๐’‚๐’“๐’•๐’†๐’๐’†๐’“๐’Š๐’‚๐’• ๐’„๐’– ๐‘ฎ๐’‚๐’๐’†๐’“๐’Š๐’‚ ๐‘จ๐’“๐’”๐’Ž๐’๐’๐’Š๐’•๐’๐’“ ๐’”ฬฆ๐’Š ๐‘ฐ๐’๐’”๐’•๐’Š๐’•๐’–๐’•๐’–๐’ ๐’…๐’† ๐’„๐’†๐’“๐’„๐’†๐’•๐’‚ฬ†๐’“๐’Š ๐‘ฌ๐’„๐’-๐’Ž๐’–๐’›๐’†๐’‚๐’๐’† โ€ž๐‘ฎ๐’‚๐’—๐’“๐’Š๐’๐’‚ฬ† ๐‘บ๐’Š๐’Ž๐’Š๐’๐’โ€ ๐‘ป๐’–๐’๐’„๐’†๐’‚

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