Image Image Image Image Image Image Image Image Image Image

UAP | 15/09/2025

Scroll to top

Top

๐‘Ž๐‘›๐‘‘ ๐‘ค๐‘’ ๐‘กโ„Ž๐‘œ๐‘ข๐‘”โ„Ž๐‘ก ๐‘ค๐‘’’๐‘‘ ๐‘™๐‘Ž๐‘ ๐‘ก ๐‘“๐‘œ๐‘Ÿ๐‘’๐‘ฃ๐‘’๐‘Ÿ @ TimiลŸoara

๐‘Ž๐‘›๐‘‘ ๐‘ค๐‘’ ๐‘กโ„Ž๐‘œ๐‘ข๐‘”โ„Ž๐‘ก ๐‘ค๐‘’’๐‘‘ ๐‘™๐‘Ž๐‘ ๐‘ก ๐‘“๐‘œ๐‘Ÿ๐‘’๐‘ฃ๐‘’๐‘Ÿ @ TimiลŸoara
Nistor Laurenศ›iu

The exhibition ๐‘Ž๐‘›๐‘‘ ๐‘ค๐‘’ ๐‘กโ„Ž๐‘œ๐‘ข๐‘”โ„Ž๐‘ก ๐‘ค๐‘’’๐‘‘ ๐‘™๐‘Ž๐‘ ๐‘ก ๐‘“๐‘œ๐‘Ÿ๐‘’๐‘ฃ๐‘’๐‘Ÿ unfolds as a speculative sci-fi odyssey, where fragility and permanence intertwine. In his practice, ๐‚๐จ๐ฌ๐ฆ๐ข๐ง ๐‡๐š๐ข๐š๐ฌฬฆ constructs worlds that are both familiar and alien, where the remnants of the present become the raw material for imagining possible futures.

This project navigates through temporal disjunctions โ€” ruins of civilizations yet to come, fragments of human memory adrift in cosmic landscapes, echoes of technologies no longer in use. The exhibition is less a static display than a narrative space, where objects and images resonate with one another to evoke the uncertainty of survival and the persistence of imagination.

Curated by ๐Œ๐ข๐ซ๐ž๐ฅ๐š ๐’๐ญ๐จ๐ž๐š๐œ ๐•๐ฅ๐šฬ†๐๐ฎ๐ญฬฆ๐ข, the exhibition traces the boundaries between the human and the post-human, permanence and disappearance, utopia and aftermath. It stages a world in which the idea of โ€œforeverโ€ dissolves into speculation, asking us to consider what remains when the horizon of time collapses.

At once intimate and comprehensive, ๐‘Ž๐‘›๐‘‘ ๐‘ค๐‘’ ๐‘กโ„Ž๐‘œ๐‘ข๐‘”โ„Ž๐‘ก ๐‘ค๐‘’’๐‘‘ ๐‘™๐‘Ž๐‘ ๐‘ก ๐‘“๐‘œ๐‘Ÿ๐‘’๐‘ฃ๐‘’๐‘Ÿ invites visitors to step into an odyssey that is both a reflection and a premonition โ€” a meditation on endings, transformations, and the fragile architectures of hope.

From ๐Ÿ๐Ÿ—:๐ŸŽ๐ŸŽ, the exhibition opening will expand into a sonic journey through a special ๐ƒ๐‰ ๐ฌ๐ž๐ญ, extending the atmosphere of the works into a shared, collective experience.

๐‘‡โ„Ž๐‘’ ๐‘’๐‘ฅโ„Ž๐‘–๐‘๐‘–๐‘ก๐‘–๐‘œ๐‘› ๐‘–๐‘  ๐‘๐‘Ž๐‘Ÿ๐‘ก ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘š๐‘ข๐‘™๐‘ก๐‘–๐‘Ž๐‘›๐‘›๐‘ข๐‘Ž๐‘™ ๐‘๐‘ข๐‘™๐‘ก๐‘ข๐‘Ÿ๐‘Ž๐‘™ ๐‘๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š ๐ธ๐‘๐บ๐ด๐บ๐ธ โˆˆ | โˆ‰ ๐‘๐‘œ-๐‘“๐‘–๐‘›๐‘Ž๐‘›๐‘๐‘’๐‘‘ ๐‘๐‘ฆ ๐ด๐น๐ถ๐‘.
๐‘‡โ„Ž๐‘’ ๐‘๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š ๐‘‘๐‘œ๐‘’๐‘  ๐‘›๐‘œ๐‘ก ๐‘›๐‘’๐‘๐‘’๐‘ ๐‘ ๐‘Ž๐‘Ÿ๐‘–๐‘™๐‘ฆ ๐‘Ÿ๐‘’๐‘๐‘Ÿ๐‘’๐‘ ๐‘’๐‘›๐‘ก ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘ ๐‘–๐‘ก๐‘–๐‘œ๐‘› ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐ด๐‘‘๐‘š๐‘–๐‘›๐‘–๐‘ ๐‘ก๐‘Ÿ๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘๐‘Ž๐‘ก๐‘–๐‘œ๐‘›๐‘Ž๐‘™ ๐ถ๐‘ข๐‘™๐‘ก๐‘ข๐‘Ÿ๐‘Ž๐‘™ ๐น๐‘ข๐‘›๐‘‘. ๐ด๐น๐ถ๐‘ ๐‘–๐‘  ๐‘›๐‘œ๐‘ก ๐‘Ÿ๐‘’๐‘ ๐‘๐‘œ๐‘›๐‘ ๐‘–๐‘๐‘™๐‘’ ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘›๐‘ก๐‘’๐‘›๐‘ก ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š ๐‘œ๐‘Ÿ โ„Ž๐‘œ๐‘ค ๐‘กโ„Ž๐‘’ ๐‘Ÿ๐‘’๐‘ ๐‘ข๐‘™๐‘ก๐‘  ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š ๐‘š๐‘Ž๐‘ฆ ๐‘๐‘’ ๐‘ข๐‘ ๐‘’๐‘‘.
๐‘‡โ„Ž๐‘’๐‘ ๐‘’ ๐‘Ž๐‘Ÿ๐‘’ ๐‘’๐‘›๐‘ก๐‘–๐‘Ÿ๐‘’๐‘™๐‘ฆ ๐‘กโ„Ž๐‘’ ๐‘Ÿ๐‘’๐‘ ๐‘๐‘œ๐‘›๐‘ ๐‘–๐‘๐‘–๐‘™๐‘–๐‘ก๐‘ฆ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘”๐‘Ÿ๐‘Ž๐‘›๐‘ก๐‘’๐‘’.
Partner: ๐‘ˆ๐‘›๐‘–๐‘ฃ๐‘’๐‘Ÿ๐‘ ๐‘–๐‘ก๐‘Ž๐‘ก๐‘’๐‘Ž ๐‘ƒ๐‘œ๐‘™๐‘–๐‘ก๐‘’โ„Ž๐‘›๐‘–๐‘๐‘Ž ๐‘‡๐‘–๐‘š๐‘–๐‘ ฬฆ๐‘œ๐‘Ž๐‘Ÿ๐‘Ž

____________________________________________________________
RO

๐‚๐จ๐ฌ๐ฆ๐ข๐ง ๐‡๐š๐ข๐š๐ฌฬฆ | solo show
โ€œโ€ฆ๐š๐ง๐ ๐ฐ๐ž ๐ญ๐ก๐จ๐ฎ๐ ๐ก๐ญ ๐ฐ๐žโ€™๐ ๐ฅ๐š๐ฌ๐ญ ๐Ÿ๐จ๐ซ๐ž๐ฏ๐ž๐ซโ€
Curatoare: ๐Œ๐ข๐ซ๐ž๐ฅ๐š ๐’๐ญ๐จ๐ž๐š๐œ ๐•๐ฅ๐šฬ†๐๐ฎ๐ญฬฆ๐ข

๐Ÿ—“๏ธ Vernisaj: ๐Ÿ๐Ÿ– ๐’๐ž๐ฉ๐ญ๐ž๐ฆ๐›๐ž๐ซ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“ * ๐Ÿ๐Ÿ–:๐ŸŽ๐ŸŽ
๐Ÿ“ Locaศ›ie: ๐Œ๐„๐“๐€ ๐’๐ฉ๐š๐ญฬฆ๐ข๐ฎ galerie de artฤƒ contemporanฤƒ
๐ŸŽŸ๏ธ Intrare liberฤƒ

Expoziศ›ia ๐‘Ž๐‘›๐‘‘ ๐‘ค๐‘’ ๐‘กโ„Ž๐‘œ๐‘ข๐‘”โ„Ž๐‘ก ๐‘ค๐‘’’๐‘‘ ๐‘™๐‘Ž๐‘ ๐‘ก ๐‘“๐‘œ๐‘Ÿ๐‘’๐‘ฃ๐‘’๐‘Ÿ se desfฤƒศ™oarฤƒ ca o odisee speculativฤƒ tip sci-fi, รฎn care fragilitatea ศ™i permanenศ›a se รฎntrepฤƒtrund. รŽn practica sa, ๐‚๐จ๐ฌ๐ฆ๐ข๐ง ๐‡๐š๐ข๐š๐ฌฬฆ construieศ™te lumi care sunt atรขt familiare, cรขt ศ™i strฤƒine, รฎn care rฤƒmฤƒศ™iศ›ele prezentului devin materia primฤƒ pentru imaginarea unor posibile viitoruri.

Acest proiect navigheazฤƒ printre disjuncศ›ii temporale โ€“ ruine ale civilizaศ›iilor care urmeazฤƒ sฤƒ vinฤƒ, fragmente ale memoriei umane รฎn derivฤƒ รฎn peisaje cosmice, ecouri ale tehnologiilor care nu mai sunt utilizate. Expoziศ›ia este mai puศ›in o prezentare staticฤƒ ศ™i mai mult un spaศ›iu narativ, รฎn care obiectele ศ™i imaginile rezoneazฤƒ รฎntre ele pentru a evoca incertitudinea supravieศ›uirii ศ™i persistenศ›a imaginaศ›iei.

Curatoriatฤƒ de ๐Œ๐ข๐ซ๐ž๐ฅ๐š ๐’๐ญ๐จ๐ž๐š๐œ ๐•๐ฅ๐šฬ†๐๐ฎ๐ญฬฆ๐ข, expoziศ›ia traseazฤƒ graniศ›ele dintre uman ศ™i post-uman, permanenศ›ฤƒ ศ™i dispariศ›ie, utopie ศ™i consecinศ›e. Ea pune รฎn scenฤƒ o lume รฎn care ideea de โ€žpentru totdeaunaโ€ se dizolvฤƒ รฎn speculaศ›ii, invitรขndu-ne sฤƒ ne gรขndim la ce rฤƒmรขne atunci cรขnd orizontul timpului se prฤƒbuศ™eศ™te.

Intimฤƒ ศ™i exhaustivฤƒ รฎn acelaศ™i timp, ๐‘Ž๐‘›๐‘‘ ๐‘ค๐‘’ ๐‘กโ„Ž๐‘œ๐‘ข๐‘”โ„Ž๐‘ก ๐‘ค๐‘’’๐‘‘ ๐‘™๐‘Ž๐‘ ๐‘ก ๐‘“๐‘œ๐‘Ÿ๐‘’๐‘ฃ๐‘’๐‘Ÿ invitฤƒ vizitatorii sฤƒ pฤƒศ™eascฤƒ รฎntr-o odisee care este atรขt o reflecศ›ie, cรขt ศ™i o premoniศ›ie โ€” o meditaศ›ie asupra sfรขrศ™iturilor, transformฤƒrilor ศ™i arhitecturilor fragile ale speranศ›ei.

รŽncepรขnd cu ๐จ๐ซ๐š ๐Ÿ๐Ÿ—:๐ŸŽ๐ŸŽ, vernisajul se va extinde รฎntr-o cฤƒlฤƒtorie sonorฤƒ printr-un ๐ƒ๐‰ ๐ฌ๐ž๐ญ ๐ฌ๐ฉ๐ž๐œ๐ข๐š๐ฅ, care va continua atmosfera expoziศ›iei รฎntr-o experienศ›ฤƒ colectivฤƒ.

๐ธ๐‘ฅ๐‘๐‘œ๐‘ง๐‘–๐‘กฬฆ๐‘–๐‘Ž ๐‘“๐‘Ž๐‘๐‘’ ๐‘๐‘Ž๐‘Ÿ๐‘ก๐‘’ ๐‘‘๐‘–๐‘› ๐‘๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š๐‘ข๐‘™ ๐‘๐‘ข๐‘™๐‘ก๐‘ข๐‘Ÿ๐‘Ž๐‘™ ๐‘š๐‘ข๐‘™๐‘ก๐‘–๐‘Ž๐‘›๐‘ข๐‘Ž๐‘™ ๐ธ๐‘๐บ๐ด๐บ๐ธ โˆˆ | โˆ‰ ๐‘๐‘œ-๐‘“๐‘–๐‘›๐‘Ž๐‘›๐‘กฬฆ๐‘Ž๐‘ก ๐‘‘๐‘’ ๐ด๐น๐ถ๐‘.
๐‘ƒ๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š๐‘ข๐‘™ ๐‘›๐‘ข ๐‘Ÿ๐‘’๐‘๐‘Ÿ๐‘’๐‘ง๐‘–๐‘›๐‘ก๐‘Žฬ† ๐‘–ฬ‚๐‘› ๐‘š๐‘œ๐‘‘ ๐‘›๐‘’๐‘๐‘’๐‘ ๐‘Ž๐‘Ÿ ๐‘๐‘œ๐‘ง๐‘–๐‘กฬฆ๐‘–๐‘Ž ๐ด๐‘‘๐‘š๐‘–๐‘›๐‘–๐‘ ๐‘ก๐‘Ÿ๐‘Ž๐‘กฬฆ๐‘–๐‘’๐‘– ๐น๐‘œ๐‘›๐‘‘๐‘ข๐‘™๐‘ข๐‘– ๐ถ๐‘ข๐‘™๐‘ก๐‘ข๐‘Ÿ๐‘Ž๐‘™ ๐‘๐‘Ž๐‘กฬฆ๐‘–๐‘œ๐‘›๐‘Ž๐‘™. ๐ด๐น๐ถ๐‘ ๐‘›๐‘ข ๐‘’๐‘ ๐‘ก๐‘’ ๐‘Ÿ๐‘’๐‘ ๐‘๐‘œ๐‘›๐‘ ๐‘Ž๐‘๐‘–๐‘™๐‘Žฬ† ๐‘‘๐‘’ ๐‘๐‘œ๐‘›๐‘กฬฆ๐‘–๐‘›๐‘ข๐‘ก๐‘ข๐‘™ ๐‘๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š๐‘ข๐‘™๐‘ข๐‘– ๐‘ ๐‘Ž๐‘ข ๐‘‘๐‘’ ๐‘š๐‘œ๐‘‘๐‘ข๐‘™ ๐‘–ฬ‚๐‘› ๐‘๐‘Ž๐‘Ÿ๐‘’ ๐‘Ÿ๐‘’๐‘ง๐‘ข๐‘™๐‘ก๐‘Ž๐‘ก๐‘’๐‘™๐‘’ ๐‘๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š๐‘ข๐‘™๐‘ข๐‘– ๐‘๐‘œ๐‘ก ๐‘“๐‘– ๐‘“๐‘œ๐‘™๐‘œ๐‘ ๐‘–๐‘ก๐‘’. ๐ด๐‘๐‘’๐‘ ๐‘ก๐‘’๐‘Ž ๐‘ ๐‘ข๐‘›๐‘ก ๐‘–ฬ‚๐‘› ๐‘–ฬ‚๐‘›๐‘ก๐‘Ÿ๐‘’๐‘”๐‘–๐‘š๐‘’ ๐‘Ÿ๐‘’๐‘ ๐‘๐‘œ๐‘›๐‘ ๐‘Ž๐‘๐‘–๐‘™๐‘–๐‘ก๐‘Ž๐‘ก๐‘’๐‘Ž ๐‘๐‘’๐‘›๐‘’๐‘“๐‘–๐‘๐‘–๐‘Ž๐‘Ÿ๐‘ข๐‘™๐‘ข๐‘– ๐‘“๐‘–๐‘›๐‘Ž๐‘›๐‘กฬฆ๐‘Žฬ†๐‘Ÿ๐‘–๐‘–.
Partener: ๐‘ˆ๐‘›๐‘–๐‘ฃ๐‘’๐‘Ÿ๐‘ ๐‘–๐‘ก๐‘Ž๐‘ก๐‘’๐‘Ž ๐‘ƒ๐‘œ๐‘™๐‘–๐‘ก๐‘’โ„Ž๐‘›๐‘–๐‘๐‘Ž ๐‘‡๐‘–๐‘š๐‘–๐‘ ฬฆ๐‘œ๐‘Ž๐‘Ÿ๐‘Ž