Prezentare Demers Artistic
Ruxandra Papa’s painting, apparently of a museum type, if we may say so, which brings us to an european tradition, hides the liberty of imagination, the liberty of conceiving in the landscape various implications. Architectures will never want to gain a great density; they are symbols, as if they were spectral appearances, tabernacle like which can hardly be related to nay kind of tradition
De Chirico is a compulsory reference, when we talk about an art which has the boldness of the fantastic, that is sometimes in full light. I would remark first of all, with Ruxarndra Papa’s painting, a coincidence with De Chirico’s programmatic will, between 1925-1930, the will of imposing a material-handicraft side of performing It 4s this will of handicraft, in a sense
which may place us within the circuit of a well that connects the young artist to the master of fantastic, as well as the allusions to an enigmatic area that unexpectedly associates the human profile within the landscape.
The varnishes which are equally pure, a sort of unity of the brush, sometimes a precise touch the drawing, all these bring us to this sort of performance which tries to acquire sometimes a strange saturation feeling, a restless environment, so. that it seems to me that the artist is placed in an interesting tradition, which anyway, is different from that of the turmoil within th challenge of sarcasm which characterized great part of the 20th century art.
This serenity which ‘conceals the feverishness is one of the ways whose amplitude was depicted by Surrealism.
website link www.ruxandra-papa.com,